Writing Assignment #1

1. There is a presentation, and there are three areas after the presentation in the 3-moment segment of this piece. The presentation goes on for the initial eight seconds.
2. A few areas are rehashed. The second and the third segments are the ones that rehash. The letters that assign every area is ABABBA.
3. Syncopation happens when an accent on a note is placed in a surprising position, for example, on a powerless beat or between beats. There is syncopation in this piece.

Written Assignment #2

1.Gordon’s performance (0:12 0:48) is the counter number 4/8 at the outset and 4/4 at the end. Bunns solo (1:02 1:38) is on the counter of 2/4 before all else to 4/4 toward the end. Callender (1:51- 2:27) is in the counter number of 4/4 through the end of the performance. Thompson (3:19 3:38) is in the counter number 4/4 at the outset to 2/4 toward the end.

2. Gordon’s solo is extremely deep with the saxophone. There are diverse lengths and profundities of the notes, and thus it is exceptionally dynamic to listen to. Bunns solo is a much speedier beat. He coasts over every note as though he does not want to hit it totally. The rhythm is quick and exceptionally musical as well.

Writing Assignment #3

1. Coltrane’s song begins at 0:22 and goes to 1:01. Tyner’s performance begins at 1:02 and proceeds to 1:29. Coltrane’s melodic solo starts at 1:31 and closes at 1:56. Be that as it may, this is a long melody more or less 13 minutes, so there are likely more tunes and performances inside.
2. Tyner plays the A segment and after that “vamps” with the pedal point in the bass before he starts to solo. A vamp is a point at which a couple harmonies are rehashed, as a rule with a pedal point. Coltrane likewise expresses the An area in his performance. Portray their performance styles. The styles of these soloists are altogether different. While Coltrane is exceptionally alleviating and melodic with diverse occasions of spontaneous creation, Tyner is extremely electric and cool. His playing is likewise a speedier rhythm than that of Coltrane. On the other hand, the sounds do cross section well.

Written Assignment #4

1. Zawinul’s performance endured from 0:19 – 0:46. Shorter’s began at 0:46 and went to 1:03. At that point, Zawinul had a performance in the wake of, beginning at 1:03 heading off to 1:43.
2. The console and piano amid Shorter’s solo are extremely powerful. There are lower keys played with the piano and higher more tense notes played with the console. Miles Davis song in E.S.P. is slower and not as entertaining and energizing as Shorter’s in Birdland.
3. Zawinul in Birdland is slower than Herbie Hancocks solo in E.S.P. There is more steadiness in Hancocks solo though there is more flexibility it appears to be in Zawinul’s solo.
4. There are a few likenesses between a wide range of jazz, I feel. Due to the utilization of comparable instruments, the sounds and contributes are comparative every jazz melody. Nonetheless, the jazz-rock combination is similar to no jazz I’ve ever heard some time recently. I have come usual to listening to old fashioned jazz, and I very like the differences that this combination makes.
   
   

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