“A Very Old Man with Enormous Wings” Garbriel Garcia Marquez’s “A Very Old Man with Enormous Wings” is a strange accumulation to the lexicon of prose handling matters of faith. Here the normal center stage symbols and uncoordinated metaphors are concealed in anonymity, and stay a puzzle to the reader for a lengthy time after concluding the tale. Instead of predicting the whole lot out for the reader, Marquez reflects in his scripting the type of uncertainty evident in majority of faith structures. The tale shows the paradoxes and indecisiveness of belief by its character’s association with the Old Man, whereas compelling the reader to gamble on the contrast of brutality and sympathy.